Badbird

Lynne Roberts-Goodwin’s artworks evoke a resonant blend of sublime & terrifying beauty, transforming global extreme terrains into unfamiliar sites of fragility, majesty & peril. Her images capture moments that suspend time, inviting viewers to feel the silence & pressure of both ground & atmosphere. The beauty in her work embodies remoteness & ecological precariousness, reframing perspectives by shifting focus between vast horizons & minute details. In this oscillation, these landscapes serve as psychological mirrors, reflecting feelings of awe & vulnerability.

Roberts-Goodwin’s projects have explored this dichotomy by juxtaposing oblique aerial views with terrestrial constraints. She seeks extremes, from elevated terrains to the lowest points on Earth, utilizing balloon flights, drone footage & panoramic capturing devices, alongside meteorological data to destabilize conventional perspectives. perceptions.

Whether presented as single images or in sculptural installations, Roberts-Goodwin’s artwork generates an emotive resonance where sublime beauty & terror coexist, presenting global extreme terrains as fragile, majestic & perilously beautiful. This approach challenges the notion of the photographic image as a mere imprint; instead, her artworks emerge as negotiations among archival narratives, technological mediation & lived experiences, creating a tension that reflects a delicate balancing act.